Adobe’s creative tools enable me to study and shape media from multiple angles. My proficiency in Photoshop, Illustrator, Premiere Pro, and InDesign forms a versatile toolkit that supports thoughtful, high-quality design across formats- from digital graphics to print layouts and video editing.
Photoshop serves as my primary 2D editing environment. From basic retouching to layered digital collages, it allows me to construct imagery adaptable to any context. My professional work demonstrates this range: developing visual motifs that balance functional clarity with expressive aesthetic choices.
A mass-distributed horror-themed event invitation.
A visually cohesive infographic about Bombardier Beetles.
A visual collage made up of elements found on UMD campus.
A visual collage made up of elements found on UMD campus.
Illustrator refines my early design ideas into scalable vector graphics. Transforming rough sketches into clean, production-ready linework prepares my visuals for large-scale applications. I frequently leverage Illustrator for fabrication workflows, including laser-cutting paths and design elements for 3D-printed components.
A jazzy vector-based poster for a local music event.
A minimalist vector depiction of a banana-centered photograph.
Premiere Pro enables me to explore narrative through motion and editing. By combining camera work, animation, and sound, I experiment with delivering messages and mood without relying on traditional interaction or dialogue. My strengths include transform-based animation, visual pacing, and basic sound design for short-form media.
InDesign supports my work intended for publication. I’ve produced children’s books, catalogs, and zines within its layout environment, focusing on clear communication through visual hierarchy and typographic structure. The result is print-ready work that balances aesthetic sensitivity with readability and function.